Horton Bay Road

Value Sketch and Finished Painting

Watercolor 5 X 8

This is what my classes are working on this week  -  simple value sketches that are our guide to simple paintings. We are going to be talking about composition for the next few weeks.  Of course, we are talking about composition all the time, but for awhile we are going to be taking it apart and paying attention to all the parts.

I love painting small paintings with a fairly large brush  -  it keeps things simple and moves right along.  If I dilly dally, I start to get detailed.  I don't like detail  -  I don't like doing it, and I don't like looking at it.  Just sayin'.

Journal Page

A Journal Page From Last Week's Bookbinding Workshop

It was too cold to go outside and paint, but we each went out and picked up at least three natural objects and composed them on a page in our brand new journals.

I seem to be accomplishing nothing the past few days.  Today is a very strange day weather-wise  -  dark clouds in the west, very windy, and quite warm, with some bright sunshine now and then.  That's it  -  it's the weather.  It's not me.  I'm not out of sync, it's definitely the weather.

Apples

Apples Painted on Nideggen Paper in my Sketchbook

This has absolutely nothing to do with anything I am doing this week.  Whatever happened to my cloud project?  I haven't given up on it  -  just takin' a break.

These little apples have been hanging around my studio, begging to be painted.

There must be something about this time of year  -  most of  my students tend to get picky and detailed, even though they say that's not what they want. Maybe because  the season has changed, and we have come into a controlled environment, they are trying to be more controlling too  -  as if they should be doing a "better" job because there is no excuse of the distractions that we have painting outside.  Whatever.   I am trying to get everyone (myself included) to swoop through with a loaded brush and get those colors and shapes in with just a few swoops.  Then go back and shape things up with shadows and MAYBE some detail.

Rainy and dark here today!  A nice cozy day to paint with students/friends.  We are painting white objects today.

Sunflowers

Color Mixing

Last week's classes painted sunflowers, paying special attention to color mixing.  We used quinacridone red, ultramarine blue, and new gamboge (yellow). For the top row of blossoms, we mixed the brown for the centers by first mixing the primaries on the palette and then dropping in a little purple after the brown center had been painted . The next one was brown mixed on the palette, and the third was mixed on the paper.  As always, we found the color mixed on the paper to be much more interesting and less muddy.  Mixing on the paper gives you less control, but the results are more pleasing. Well, that's my opinion.  The centers of the flowers in the small painting, bottom right, were done by letting the colors mix on the paper.

This week I am doing a bookbinding workshop  -  "team teaching" with my friend Cathy.  The sketchbooks were finished today in record time, and they are all absolutely beautiful!  Tomorrow we will unveil them (they are under heavy weight over night) and begin to paint. I LOVE MY JOB!

Afternoon Tea

Afternoon Tea at the Terrace Inn

What a fun afternoon!  There were nineteen of us, painting in our sketchbooks and enjoying high tea in the Victorian dining room.


This is a demonstration page I did to kick things off.  Everyone did beautiful  sketchbook journal paintings, and it was such fun to walk around and see the various choices of subject and interpretation.  Someone even did a a small painting of one of the very fancy crystal chandeliers!  There were paintings of teapots, tablescapes, sandwiches, petit fours, bud vases  .  .  .


No beach chair-and-jeans-out-in-the-sun-painting for us yesterday.  We were all ladies at a tea party  - painting up a storm.


Thank you to everyone who attended.  You made it so much fun!

Geranium Still Life

Still Life for Class

I did this watercolor sketch in my journal "as is", with no regard to editing or composition. What ya see is what ya get. When I set it up for class, I didn't really arrange the objects, but left it to the students to come up with the composition that worked best from their positions around the table.

For me, taking the still life from three dimensions to two, makes it easier to compose. I can see more clearly what I need to move around and edit when I'm looking at the journal page.

I could have just done some thumbnail sketches and called it good, but color is better! Better, as in more fun.

I have a lot of class things coming up, starting this week. Let the fun begin! One of the things is being a "presenter" (?) at a Young Authors Day at an elementary school near by. Looking over the schedule for the day, I see there is no nap time! What the heck?

Editing

Editing Still Life Objects on the Table

In class this morning we worked at getting some quick impressions of some objects on the table, and then we did some sketches to determine the best arrangement for a painting. One of the objectives was to figure out what we would do for a background.

On the left I drew the objects just as I saw them on the table in front of me, and on the right I rearranged and simplified, working out a composition for a small painting.

In the blue and white vase were some purple tulips. I liked the way the purple worked with the colors of the fruit, but as you can see, I didn't get that far. Maybe tomorrow.

Only about ten more pages to go in this sketchbook. It's fun to finish one and it's fun to start a new one. It doesn't take much to excite me.

Borders

And Your Assignment This Week . . .

It's amazing how many things in our lives have border designs ~ in my life anyway ~ I am not a minimalist. I've been looking around getting inspiration for sketchbook enhancements, and using simplified ideas from rugs, dishes, flower pots . . .

My class this morning did a quick watercolor sketch of radishes. It is so much fun to see all the different and beautiful interpretations. Their sketchbook assignment for the week is to do a few borders, and to pull something out of the fridge and do a quick sketch.

It was a nice sunny day here today. Warm enough for a walk down by the waterfront. There is still ice along the edge of the Bay, but it can't last too much longer. Well, I guess it could, and I think snow is predicted for the weekend.

Daffodils

Daffodils in my Watercolor Sketchbook Journal

This was a contour drawing demo for the Thursday class with watercolor added. Just as the Wednesday class had done, the Thursday class also worked in greens. It is so fascinating to see the difference between mixing on the palette and mixing on the paper. I am trying to get a good photograph of that.

A few trips to the home improvement stores this weekend ~ I picked up a lot of green paint chips. Not that I didn't already have a lot, but you can never have too many paint chips. Anyway ~ we are going to play around this week with mixing to see what it takes to match those colors.


Working on constructing yet another journal. I don't have any immediate need for so many, but I want to be able to do them in my sleep. And when I get sick of making them, I will have a stockpile. It hasn't happened yet, but sooner or later I will have to get sick of it, won't I?

And speaking of home improvement stores ~ an update on the bathroom remodel. We are grouted!!!

Color Demo

Quick demos - not even pretending to be finished paintings.

What I was trying to show here was how we can unify shapes in a painting by carrying colors around the composition. The primary colors on the left show how I put all three primaries in each shape to "pull" the shapes together. The example on the right, done pretty much in secondary colors, shows the same principle - there is pink in the oranges, and orange in the pink flowers. This keeps our eye traveling around the painting instead of zeroing in on one color and then another. Maybe we could call this "unity and flow".

I think a flat color is a flat shape. I am conscious of this in every painting I do. I'm not always conscious of anything else, but what the heck.

Tulips

Flower Power in the Dead of Winter

Is it actually Spring in some parts of the country? We have a long way to go here. The other day in the grocery store I saw these bright pink tulips, and because we also have to feed our souls, I grabbed them up.

In class we did a little lesson on carrying a color throughout a painting. We painted these tulips in a still life with oranges, and worked at getting a little bit of orange into the pink tulips and a little pink into the oranges. Fun!

Are you sketching today? Putting a little bright color in your journal sketchbooks? I am going to go try out some new paper in a new journal (YES, another sketchbook). I'll see how it works with watercolor, pens, prismacolor pencils, etc.

Go create something!

Mid-values

A simple value sketch and half finished painting.

We worked with shadows again today in my class. First we did simple sketches and blocked in all the middle values. We transferred the drawing to watercolor paper and swooped through all the areas that wouldn't be left white with a wash of manganese blue. In some areas successive colors were dropped into the wet blue paint, and in some areas they were glazed over the dry blue pigment. There is still some more to be added to the painting above.

Next week the class would like to do some paintings of snow. Perfect. I had started to work on some myself, and snow is all about shadows.

Just went to see It's Complicated. Cute. Now I have to go look up the sound track.

Is everyone painting? Wasn't that on your new year's list of goals - to paint more? It was on mine, and I must admit I haven't done too well. I have to think about it. Have to build up to it. It'll be fine.

Baby Eggplants

Painting Colorful Shadows
and mixing (baby) eggplant colors

We worked in this week's classes on mixing colorful shadows. We mixed them on the palette and on the paper, getting very different results.

After having a break between sessions and then having a snow day last week, we'll take two weeks off for the holidays. We'll jump in with both feet when we get going in the new year.

The sun was shining here today!!! Wonderful. I went to the post office and there wasn't a line! Sunshine, no line - what a day!

Glen Ellen Street Scene

Glen Ellen, California
Three different versions of the same view.

I have already posted the two paintings, and I always think it is fun to compare a photograph of a location with my sketchbook version. The sketchbook version is always the closest to how the place really felt to me. The "serious" paintings are always a little too "dressed up".

In my sketchbooks a few little marks can remind me later of how a place smelled, felt, sounded (tasted, but I'm trying not to blog about food all the time) and how I REALLY thought it looked. A snap shot is just that - a SNAP shot. It just doesn't take long enough for me to engage all the senses.

Carrying a sketchbook around (and PAINTING in it) is such an enjoyable part of my life! It enriches everything. When your life influences your art, your art influences your life - or something like that.

Just paint - you don't even have to show anyone. But you'll probably want to.

Lemons and Peppers

Multiple Views of a Still Life

In yesterday's class we set up a still life, divided our paper into four rectangles, and painted four different views of the still life. I was a little sick of it by the time I got to the fourth painting ~ the top left. I may try this again someday. The whole idea is to zoom in, zoom out, pan left, pan right . . . . I think I could have zoomed a little more and panned a little less.

Next week the class wants to do very quick paintings, just a few minutes each, using autumn related objects such as pine cones, leaves, squash, gourds, pears.

We had a pretty heavy frost last night. Goodbye summer. As always, fall is bringing out my nesting instincts, and I have been switching my upstairs studio space (which never really worked out up there) back downstairs. I think I had better make a few trips to the Salvation Army/Goodwill to get rid of all this stuff I don't know what to do with. My new philosophy is "if I don't know where to put it, I certainly don't need it". I know that this philosophy is not new to some of you. We'll see how this works out.

Christmas Cactus Study

This is a small watercolor study of the Christmas Cactus in yesterday's post. I did I light sketch of the shapes and then painted the leaves with clear water. Starting with quinacridone gold I dropped some pigment on the leaf sections, followed by a little Prussian Blue and a small amount of quiacridone red. I let the colors float around a bit and then helped it mix a little here and there. The petal color was done with a mix of quinacridone red and lemon yellow. Everyone in class did a beautiful job of letting it mix on the paper and keeping it simple.

I finished a little more Christmas shopping today. I have come to the conclussion that Christmas is so stressful because it is all about loose ends! One loose end after another - who's picking up what gift, who's coming to dinner, WHERE is dinner, who's gonna fix that thump-thump noise in the car so I can finish my shopping . . .

It'll be fine. It's all coming together.