Salad Prep

Prismacolor Pencil on Mi Teintes Paper

with a little collage

I don't really care for the way the pencil looks on the mi teintes paper, but now I know, and that's what sketchbooks are for  -  experimenting.  The paper is rougher on one side, so as it is bound in my book, the left page in this illustration is rougher that the right page. 

On the right hand page, I had drawn the blue cheese box and hated the way the pencil looked on the paper, so I glued a piece of paper over it and collaged the end of the box onto the page.  Sometimes students will ask me if that's ethical  -  to rip out, cover up, paint over  -  I always say it's your sketchbook  -  do whatever you want.  I don't get into perfectionism in my sketchbooks, but I also don't see any reason to look for the rest of your life at a page you hate.

The page makes me happy  -  I was making a salad to take to dinner with friends, a fabulous French version of La Mer was playing on Pandora Radio, and a pair of cardinals was perched near the window.
There is nothing beautiful about the page, except the nice reminder of a very pleasant period of time.

Here we are almost into November. It seems as if we just wrapped up summer, and now I am busy locking in things for next summer  -  workshops and classes.  It makes me think about the past summer and look forward to next summer.  Nice.

If anyone is interested in the salad, it consisted of red Boston lettuce, Bartlett and bosc  pears, red onion, almonds, dried cranberries, and blue cheese.

Tiny Pumpkins at Dawn

A Page in my Sketchbook

These tiny pumpkins were sitting on the window sill in my studio and the early morning sky was very dark blue behind them.  A few days later, I painted the pears that were on the kitchen counter while I was getting dinner.  Yes, I did paint them while I was getting dinner  -  you know, when the mood strikes. Remember, some of the pigments are toxic, so try not to be too sloppy with them in the kitchen.  Remember what happened to Vincent Van Gogh.  No, not the ear thing, the ingesting of paint thing.  Too much lead white pigment in his kitchen.

We have had rain and more rain, but yesterday was beautiful  -  sunny and warm. This little painting is of some flowers still hanging on in a small metal urn in friend Karen's garden.  It is watercolor done on mi teintes paper.  I really didn't expect the watercolor to cover that well.  I like the effect.  I'm going to try Prismacolor pencils next on this paper.   I bound some of it into my sketchbook. Try out some different papers now and then  - it sparks creativity in simple ways.  Try some different paper, pencils, pens, brushes.
Remember,  we aren't after a finished product or a masterpiece each and every time we pick up our art supplies, but somewhere in all that playing and experimenting, we'll get one.

From the Workshop

Looking Back on Late Summer Classes and Workshops

 On our second day of the book binding workshop we painted in the journals, and the page on the right shows some examples of pens and pencils we were trying out.

I was going to do a demonstration page of a few pens and pencils, but then a friend brought me several pencils from the Derwent factory in Britain.  Now I want to try them all.  I don't know how anyone thought up that many pencils  -  colorsoft, charcoal, sketching, graphic, drawing .  .   .

Tomorrow my fall classes begin.  I haven't done any classes since the 11th of September, and I'll be glad to get back at it.  I have some beautiful, tiny sweet peppers for the classes to paint.  I made a trip out to the farm market today, and realized soon it will have just pumpkins and squash, and then just Christmas trees.

The leaves are really changing color here.  We have definitely switched to a new season.  

What About Sketchbooks?

A Watercolor Sketch Near the Walloon Boat Ramp

In the previous post I talked about watercolor paper  -  answering some questions that had come up in class.  In the same class, we also talked about different kinds of sketchbooks suitable for watercolor.  Just as the quality of watercolor paper depends on the sizing, or finish, the same is true for sketchbooks.

For many years I used Aquaee sketchbooks as my watercolor journals.  The paper is pretty light weight, but I like the way it takes the color.  Pigments stay bright and it doesn't buckle too much with the application of a little water.  All of the paintings in my Petoskey Watercolor Journal were done in Aquabee sketchbooks.  What I really like about them, especially for beginners in watercolor journaling, is the fact that you can't play around too much with watercolor technique  -  you have to get in and get out.  The paper isn't tough enough to keep trying for perfection  -  put it on and call it quits.

I became interested in different kinds of journals because I wanted something pretty and bright (sorry Aquabee, but you are not pretty and bright) and wanted to try out some different paper.  That, of course, led to making my own.  I started out having various papers spiral bound at the copy shop.  Then I started binding my own hand stitched round back spine books.

My favorite paper for books is Strathmore Aquarius II  -  it folds and stitches easily, and doesn't buckle with the application of watercolor.  I also like to throw in some drawing paper, some colorful mi tientes (pastel paper), nideggen (light brown), and anything else I might want to try.  That's the fun of binding your own books  -  anything goes.  And I love being able to paint right across the two facing pages as if they were one  -  no spiral.

Does anyone really read a blog post that is this long? Does this sound like a sketchbook lecture?  Don't we want to just look at the pictures  -  or is that just me? The main thing is  -  find paper that you like for your style of painting and sketching.

Have a great weekend  -  it's a long one for us here in the USA.   Take your sketchbook wherever you go.

What About Paper?

A Little Sketch from the New Park in the Village of Walloon

Such a beautiful day to be out painting with friends!  Perfect.
Wednesday wrapped up my summer classes. Bitter sweet.  My friend and co-instructor, Cathy, and I have book binding workshops coming up, starting Monday morning.  After those I will start my regular weekly watercolor class.

In the last journal class I did, there were several questions about paper, sketchbooks, and brushes.  I am not an expert on any of these, but I do know what I like  -  does that ever really count?  Also, I love to give my opinion.

When I first started to do watercolor, I was lead to believe that it was unprofessional to use anything but 300 lb paper.  I wasn't crazy about it.  I really liked the way 140 lb paper took the paint.  I have always preferred Arches watercolor paper to any other.

I think the main difference between brands of paper is the "sizing" or the finish.  Sizing is what gives it the properties that make it suitable for watercolor  -  some brands more suitable than others.  To me, the sizing or finish of the paper is more important than the weight.  There are some pretty bad 140# watercolor papers out there.

Practicing on cheaper paper isn't practicing at all.  You will never get the hang of what watercolor can do if you're using an inferior paper.  I think "getting it right' is worth the price of a good piece of paper. I suggest going together with a friend or two and ordering 25 sheets of Arches 140# from Daniel Smith or Cheap Joe's.  A 25 sheet pack of Arches 140 cold press will run a little over $100 plus shipping.  Get on their emailing lists and get notifications of sales and reduced shipping.

Fabriano Artistico is a pretty popular paper too.  I haven't tried it, so I really can't say, but I do know some very serious artists that use it.

Watercolor paper comes in different textures;
     Cold press  -  has a nice texture that gives a little sparkle of white paper when you drag your color over it.
     Hot press  -  is smooth, but not slick.  It's pretty unforgiving  -  the color just does not move around on it.
     Rough  -  is just that  -  a rough texture. That's not a bad thing.

If you're not bored to death yet, I'll say a little something about watercolor blocks.  They come in various sizes from very small to pretty large, and they are edged with a glue/tape binding on all four sides.  This edging holds the paper flat so it doesn't buckle (it still does a little bit) while you are painting on it.  Each sheet is left on the block until the painting is finished, then removed, exposing the next clean sheet of paper.  With their heavy backing, they are convenient to take on location or to class.

Don't confuse blocks with watercolor tablets or spiral pads.   I really have never seen a tablet of good watercolor paper.  That, of course, doesn't meant there aren't any just because I've never seen one.

Maybe I pushed Arches paper a little too hard.  I don't have an interest in the company, or in Daniel Smith or Cheap Joe's.  I recommend Arches because that is what I have always used and I like the way it handles. I told you I like to give my opinion.  For what it's worth, huh?

Okay  -  this house is a mess.  A summer's worth of dumping art supplies here and there.  Oh, my gosh, it was fun!

Have a great weekend.  Take your sketchbook sketching.


    

Brushes and Tea

Mug of Tea and Brush Pot

A quick little sketch done in my watercolor journal.

Last week in my Wednesday morning class, I expressed ( I guess a little strongly) my dislike of the color pink.  This morning everyone in class was wearing pink. Cute! Not only are they all talented painters, they're fun too.

Very gray, dark and wet here.  We are on our way to a middle school basketball game  -  that'll be bright and cheery.  Bright lights. Yelling.  Action!   I love basketball.  Go Rams!

Palette

Fun

Who'd think filling a new palette could be so much fun?  I bought a new porcelain palette (as opposed to an OLD porcelain palette?!).  Because it is arranged like a color wheel, it only makes sense to fill it like a color wheel.  

My friend, Cathy, bought one also, and we decided to fill them together.  No, this is not the first palette I have ever owned, and hopefully not the last  (it is certainly the heaviest  -  does that count for something?), but everything is more fun when you do it with a friend.

Somewhere, on someones blog, I read about painting small squares of watercolor paper and putting them in your palette to see how the sequence of colors works in your color wheel palette.  I use a very limited range of colors, but Cathy had a lot of paint choices, which made the whole process entertaining  -  playing with all those colors!!!  It was great.

Middle granddaughter then made a chart for me with the names of the paint colors on the little squares, and then she squeezed the paint into the wells on the palette.  This one little project kept three of us entertained for a couple of hours.  Who could ask for more?

Now I am off to teach Tuesday morning watercolor in friend Karen's garden.  It is very overcast, but we're goin' for it.  We don't want to miss this chance  -  it is a beautiful place to paint.

Pens

Pitt Artist Pens in a Cup

I was going to use the pens to do the colors, but then, of course, they wouldn't be in the cup anymore. If I moved one, they would all move.

No snow paintings this week. It has been dark and dreary. I have some good reference photos, but all the gray and brown ruins the mood. Maybe it is time to do some still lifes ~ flowers, fruit, pretty vases, interesting fabric! Sounds fun ~ especially the interesting fabric.

I have been fooling around with bookbinding again. It is habit forming. It's also very messy and time consuming. Maybe that's why I enjoy it so much.

Ordering

So Many Colors - So Little Time

It takes me days to get together an order for paint, paper etc. You'd think I would never have a chance at it again. Why can't I just order what I need and move on? I'm afraid I might miss something, I guess. And I want it all, when actually I like painting with a very limited palette. See the problem?

When an order comes, it is always a little disappointing not to have something new/different - like a little present to yourself. Daniel Smith has a 20% off sale for a few days. That ought to justify something new and different, don't you think?


Still working on the quarter sheet snow painting. Maybe I'll post it tomorrow.

Travel Palettes

Paint Choices for Small Palettes
(and toxic pigments and baked ziti)

A few posts ago, Annie had some questions about paints and pigments.

In my book, A Petoskey Watercolor Journal, I list the colors I use in my teaching of watercolor journaling, and I suggest using Windsor and Newton paints because of their quality and availability.

The colors I suggest in the book are: permanent rose, hookers green, ultramarine blue, cadmium yellow, and burnt sienna.

I also suggest these colors because I feel teaching journaling technique is more important than teaching color mixing in a brief journal workshop.

So now we come to the "However. . ." I have been using Daniel Smith watercolors exclusively for the past couple of years. No - I am not advertising for DS - just stating a fact. Colors are not the same across the board and I used to use some of, maybe, three manufacturers. Once you get used to a manufacturer's take on a color, it makes your life so much easier to just keep ordering from that one manufacturer. And I do think DS pigments are great.

As for color choices, again, these are suggested because it is easy to run into an art supply store and find them. I am all about instant gratification, and I feel if someone wants to get journaling, they want to get journaling - not try to find a mail order catalog and spend hours looking up the right stuff!

Annie had a question about manganese blue. A few years ago, the original pigment was "outlawed" and we couldn't get it for awhile. The new and improved manganese blue seems to have the same granular properties, which is what I love about it.

So, if I were to limit myself (which I do) to just a very few colors for tiny travel palettes, what would I choose? If I had room for only three colors, they would be permanent rose ( or something similar), ultramarine blue, and hansa yellow or lemon yellow. To add a couple more I would put in hookers green and manganese blue. Two more - cobalt violet and phthalo yellow green (NOT phthalo green yellow shade)

Sometimes, it is not just about the color, but also the properties of the pigment - if it granulates, if it is transparent, if it stains . . .

I had an email this morning asking about the best way to dispose of our paints and paint water if our pigments are toxic. I think the only toxic paint I am using these days is Cobalt violet. I don't use cadmiums and the manganese colors have been reworked, but if some of you are using these (and cobalts), you may want to be aware of their toxicity when painting with children.

As for disposal - I think you might want to google the subject and see what you think is best. I am not well versed in this and don't want to be quoted as saying, "Aw, heck, dump it down the sink". Look on your tubes of paint and see how they are rated - it will be on there. You'll probably find, that unless you are using cobalts and cadmiums, you have no toxic pigments.

"Marpia" asked in a comment how to make baked ziti special. The best way I know to make it special is to serve it by candle light.

Art Supplies

Painting the Altoids Tin Palettes

A very quiet day here today. We discussed and planned (argued about) the bathroom re-do.
We wandered the aisles of the Home Depot for awhile.

I think we are going to start tearing up the bathroom tomorrow. I often say how much I love demolition, but this is making me a little nervous. Oh well, no guts, no glory - right?

In Progress

Grace Cathedral Garden Painting in Progress

I'm working on this from a journal sketch I did in California. I have a lot of students asked what the process is from sketchbook to watercolor paper. There are various ways to do it - one is, of course, to just draw it again, but that never works for me. Because I was pretty happy with the composition of the journal watercolor sketch, I simply traced the important shapes onto a piece of tracing paper, scanned it, enlarged it to the size of the wc paper, and printed it out (a copy shop will do this for you too), then traced it onto the watercolor paper.
Before I started to paint, I worked out all the light, dark, and middle values on the enlarged sketch. It is very easy to trace a sketch onto wc paper at a window or on a lightbox. The watercolor paper is much more transparent than you might guess.

Okay, here I go. I'm still working on that to-do list (they aren't supposed to END, are they!?) and we're having guests for dinner tonight. I am trying a maple glaze on chicken breasts - we'll see how that goes.